Orwells '84 - "On The Road"
We introduced our listeners to this indie-folk band from Dundalk, Ireland, with their single "Cailin" back in May. Now we're happy to present a track from their just-released debut EP, Truth Is The First Victim. With intricate arrangements featuring a wide range of acoustic instruments, this six-piece group creates a very original and quite joyous sound that could easily be the highlight of a summer music festival. We'll be adding more tracks to our mix in the weeks to come.
Best Coast: "For The First Time"
Photo by Kevin Hayes |
Sarah Harmer: "New Lows"
Ontario singer-songwriter and activist Sarah Harmer is preparing to bring out her first new LP in a decade, Are You Gone. The first single to spin out is a call for action to protest politicians' inaction on rescuing the climate. The song references "new threats, new lows," and then suggests a mass movement could make a difference: "If this gets us to our feet / And grows / Who Knows?" Says Harmer: "I hope this song gets people to their feet, and not only to dance." But it does, in fact, have a good beat.
Jackie - "Lifetime In A Touch"
Lingering in Ontario, we turn to this Toronto-based trio's new single, which they say is "essentially a heartbreak song, wrapped in a happy vibe... a ‘there’s a light at the end of the tunnel’ story." Substream Magazine describes the track as grimy rock with a pop groove: "(Marc) Girardin’s guitars are extra fuzzy, but the riffs are still as catchy as they come. (Max) Trefler’s drums are key to giving the song momentum, and it’s clear (lead singer and songwriter Jackie) Mohr had a strong vision in the writing."
Demob Happy: "Autoportrait"
This high-energy rocker was actually released in mid-summer, and we gave it a spin on The Detour. We gave it another listen the other day and decided to add it to our New Music bin. The track grabs your ears and shakes them for just less than three minutes, then stops as suddenly as it began. The Brighton, U.K., band's frontman, Matt Marcantonio, described the song as “coercing a confession out of myself over insecurities," but the lyric alternates between anxiety ("I am afraid to be who I am") and security ("I know nothing wrong could happen / While I'm still in love with you.")
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