The Record Company, The Joy Formidable, Screens 4 Eyes, Peter Gabriel, Goose, Wilco, Yukon Blonde, Pony Gold, Airport Impressions, The Metal Byrds - A double batch of New Music!

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Our music-pickers took last week off,
but they're making up for that by adding
10 fresh tracks to the New Music bin!

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The Record Company: Dance On Mondays

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After their record company dropped The Record Company (yup), the band chose to go back to basics, working on their own with bassist Alex Stiff taking on the producing duties for The 4th Album. Rock and Blues Muse writes: "The stripped-down approach suits the band well, with each song being built around a strong rhythmic base and colored with lap steel licks and tasty harp, both courtesy of guitarist/singer Chris Vos. There’s a hint of CCR swamp-rock in some tracks, and others lean toward acoustic Delta blues. Stiff and drummer Marc Cazorla lay down a foundation that’s both solid and creative, and Vos is in good voice throughout." This is the opening track.

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The Joy Formidable: Share My Heat

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Photo by Joe Singh

The Welsh trio of Ritzy Bryan (vocals/guitar), Rhydian Dafydd (bass/vocals) and Matt Thomas (drummer) has put out three singles this year - the latest a 15 minute opus. We will play the full version occasionally, but as a featured track in our New Music bin, we're using the 3:49 "radio single" version. Bryan says the song "is about true connection and love. Deep, selfless love between humans is a beautiful part of our existence, but I’m also singing about our inherent love for nature, the living world and our kinship to everything: plants, animals, mountains and lake."

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Screens 4 Eyes: Trip to the North

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This is the second track on a double-single release just released by the Tel Aviv group led by Yael Brener. We recently featured "Patterns," which Brener described as "in a dreampop/new wave style," whereas this one is "a more chilled psych-rock," a bit of a different direction for the Screens.

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Peter Gabriel: This Is Home (Dark-Side Mix)

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The tenth song in the month-by-month release of I/O is, says Gabriel, "a love song. It began with inspiration from some of the great Tamla Motown rhythm sections, so we're trying to recreate that in a modern way, complete with the tambourine and handclaps."

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Goose: Travelers I

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This is the first of three tracks on an EP the Connecticut-based jam band just dropped. Together they make up a suite of songs the band has played live over the years. Guitarist/singer Rick Mitarotonda says the songs are "among a collection of material I wrote in the years prior to Goose forming." Making the studio recording of the suite "was a special time and place for me personally.”

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Wilco: Cousin

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Photo by Peter Crosby

On their 13th album, Cousin, Jeff Tweedy and company collaborate with Welsh musician/producer Cate Le Bon. After previously featuring the advance single "Evicted," we now pick the title track for our New Music bin.

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Yukon Blonde: You Always Get What You Want

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Photo by Raunie Mae Baker

Here's the latest track to spin out ahead of the Canadian indie-pop band's next album, Shuggie, due for release in a couple of weeks. Frontman Jeff Innes says of the song's beginnings: "I was listening to a lot of Fleetwood Mac and The Flaming Lips in a kind of loop around this time, and I got really inspired by both bands ability to use the same chords throughout the whole song and just change the melody around." The lyric is about how easy it is to spend all our time with our devices instead of friends.

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Pony Gold: Love You Anyway

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Credit: Victoria Black Photos

Recently released as their second single, this is now the lead track on Take Me Somewhere, the debut EP from the emerging Victoria, BC-based duo of Theresa and Matt Bromley. Billed as "a love song for oneself," it features Theresa's songwriting and vocal and Matt's slide-guitar work.

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Airport Impressions: Waiting for Paradise

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From the Mediterranean nation of Malta comes this "melodic alternative rock" band that's working its first EP. This single was released over the summer and has now found its way across the seas and into our New Music bin. It's not our first impression of the band: We added the single "Light Years" to our mix in late 2020.

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The Metal Byrds: Shy Girl

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We first picked up on this hard-edged indie-rock band from Houston, Texas, in late 2020, and since then several of their tracks have been spinning on our nightly free-form show, The Detour. This new single is a highlight of their latest EP, Moments Before Sunrise. 

New from Semisonic, Graham Parker, Gass Violet, Joan Osborne, The Empty Pockets

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Semisonic: The Rope

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This band from late-90s Minneapolis returns with its first full album in over 20 years, Little Bit of Sun. The trio (Dan Wilson, John Munson, Jacob Slichter) says this song is "an ode to Los Angeles disguised as a break-up song." Rolling Stone writes that it has"a bright alt-rock crunch bolstered by brisk horns and piano, as well as a rich halo of backing vocals."

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Graham Parker & The Goldtops: The Music of the Devil

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This track leads off Last Chance to Learn the Twist, the new album from this rocker who emerged from England's pub-rock scene in the 1970s heading a band called The Rumor. AllMusic writes that on this second LP with his current band, he sounds relaxed and introspective and that "his anger is mostly a thing of the past." Here, he "fondly recalls the good old days when rock & roll was supposed to be sending us to hell - a quaint notion now."

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Glass Violet: Too Late to Come By

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Almost two years ago we featured a single called "Indigo" by this band from Bristol, UK. This new track will lead off an upcoming EP. Key members Alex John (producer, guitar) and Tom Hurdiss (lead vocal, guitar) cite Arcade Fire, The Killers and The Strokes as major influences.

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Joan Osborne: I Should've Danced More

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One might say this song is about ROMO (regret of missing out). It leads off the veteran singer-songwriter's eleventh album, Nobody Owns You. Other highlights of the LP include the title track, an empowering song written for her daughter, and "Great American Cities," an upbeat counter-argument to right-wing attacks on U.S. urban centers. Overall, the album is quieter and more introspective than 2020's Trouble and Strife. Says Osborne: "These songs come from my feelings about people in my family, about people who I care about, and just what to do with this time that we have on the earth.”

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The Empty Pockets: Gotta Find the Moon

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Here's the title track from the new album by this Chicago roots-rock band. After the success of 2022's Outside Spectrum, they traveled to London's Abbey Road Studios to record the collection of 12 originals and two cover songs. We featured the single "Make It Through" this spring, and with the release of the LP we're dropping this number into the New Music bin. 

Sarah Jarosz, Sam Roberts Band, Screens 4 Eyes, Slowdive, The Moss - our latest New Music picks

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Sarah Jarosz: Jealous Moon

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Photo by Shervin Lainez

Here's the lead single from Polaroid Lovers, the seventh studio album by the singer-songwriter and multi-instrumentalist (and sometime member of I'm With Her). "It’s a song about the times when the parts of ourselves that we try to keep hidden rise to the surface, and we have no choice but to ride the wave," Jarosz says. The track gives her vocal a rock-band backing. American Songwriter writes that it "shows off a more evolved sound, swapping out acoustic-leaning instrumentation for rich and bold production by [Daniel] Tashian," who also co-wrote the song.

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Sam Roberts Band: Projection

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From the upcoming album The Adventures of Ben Blank, due October 20th, comes this new single, which Roberts says deals with this question: "When the lines between fact and fiction have become so blurred, how do we measure our truest selves?" The nine-song album follows 2020's JUNO-nominated All of Us. The Montreal alt-rock quintet decamped to Toronto's Giant Studio to make the record. 

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Screens 4 Eyes: Patterns

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A new EP is on the way from this Tel Aviv-based dream-pop group fronted by Yael Brener. This track, she says, is influenced by 80s new-wave and synth sounds, and deals with the belief that "the course of our life is written on our body. Our fears, our pains, are projected on our organs ... They reflect not only physically but also in patterns of behavior that influence our life - a circle one might want to break and be freed from."

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Slowdive: kisses

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Photo by Ingrid Pop

One of the pioneering bands of shoegaze came and went in the 1990s - but then came back in 2017 and has now released Everything Is Alive, the second LP of its second phase. "There are trademark washes of guitar noise and echo, and songs that judiciously sculpt Rachel Goswell and Neil Halstead’s quiet voices on the precipice between melancholy and ecstasy," writes The Guardian. And Pitchfork calls this song the most delicate and openly romantic track on the album.

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The Moss: The Place That Makes Me Happy

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After hitting the charts earlier this year with "Insomnia" and playing some major festivals over the summer, this quartet is about to embark on an extensive U.S. tour. Meanwhile it rolls out this single, billed as "a celebration of the band’s deep-rooted love for the great outdoors." That seems to make sense for a group that was formed in Oahu, Hawaii, and is now based in Utah. 

New: Pretenders, Death Cab, Bryan Hansen Band, Vanishing Shores, Shayla McDaniel

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Pretenders: A Love

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On the new album Relentless, the band consists primarily of the indefatiguable Chrissy Hynde and multi-instrumentalist James Walbourne. "The tender yet tough tunes are instantly identifiable as emerging from the iconic band," says American Songwriter. "Hynde’s voice, at 71, is just a shade weaker than in her prime, but the songs are strong, the lyrics as strident as you’d expect, and Walbourne’s playing remains professional without sliding into slick." 

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Death Cab for Cutie: An Arrow in the Wall

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Photo by Jimmy Fontaine

This single comes out as Benjamin Gibbard launches a tour with both DCFC and his other band, The Postal Service. The song, says Gibbard, "is about the warning signs all around us in the 21st century that society-at-large is in decay. The arrow lodged in the wall might have missed this time, but it would be naive to assume the next one won’t also.” (Presumably meaning, "also won't strike us.")

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Bryan Hansen Band: Death of a Yes Man (feat. Jeff Coffin)

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This band from Central New Jersey has been a favorite of ours for years. Since their last album, Gas Money, came out mid-pandemic - thwarting their plans to tour behind it - founding members Hansen (lead vocals, guitar) and Will Blakey (bass) have been working with other area musicians on tracks for a new LP, and this is the first single to emerge. Grammy winner and Dave Matthews Band member Jeff Coffin provides the horns. The song "is about moving past burnout and reclaiming your life and creativity," says Hansen. "The band has done just that and they’ll come out swinging."

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Vanishing Shores: There Is No Distance (Between Us)

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This Cleveland indie-rock band has confirmed that it has an album on the way, entitled Possible Light and presumably containing at least some of the singles it has released in the past couple of years. "This song is a summer anthem that affirms the truth that love casts out all fear," says frontman Kevin Bianchi. The background vocalist is credited mysteriously as Claudia X.

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Shayla McDaniel: Good Thoughts for Bad Times

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Another indie fave of ours, this singer-songwriter and multi-instrumentalist from Knoxville, Tennessee, just released Mental Filing Cabinets, a self-produced collection of six songs, plus a live acoustic version of this one. The lyric contains the EP's title: "I haven’t felt this good in a while / I don’t want this time to end / Storing up the memories like photos / In my mental filing cabinets" - to be retrieved as needed on darker days.