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Saturday, October 12, 2024

Maggie Rogers, Dawes, The Cure, Bottlemoth, Sapling


Maggie Rogers: In The Living Room


Just six months after her Don't Forget Me album, the singer-songwriter releases another track that could easily have fit in that collection. (We're guessing it's destined for a "deluxe edition.") "Like so much of the album, it’s a song about the beauty and pain of memory, and the way that interweaves with reality when you’re processing the exit of a person in your life," Rogers says.

Dawes: Front Row Seat


We've previously featured a couple of its singles, and with the full release of Oh Brother, we're picking this track for our New Music bin. It's a rocker that takes a break midway for a jam-band interlude. The lyric suggests anxiety about the U.S. political situation, then takes a fatalistic attitude: "But if that’s the ball game / If the experiment’s complete / And we both stand around / To watch it all come down / At least we got a front row seat."

The Cure: A Fragile Thing


Robert Smith & Co. are back with Songs of a Lost World, sounding as cheery as ever. Billboard says of this track: "The swirling, midtempo rocker is classic Cure, with a morose, nearly minute-long instrumental intro that sets up a most on-brand tale of devastating love." Smith says the song "is driven by the difficulties we face in choosing between mutually exclusive needs and how we deal with the futile regret that can follow these choices.”

Bottlemoth: Everything Works Out in the End


How about we inject some optimism into the mix? The debut album by this indie-folk quintet from the UK, Even Us Ghosts, comes out this week. Singer-songwriter Ethan Proctor says of this song's title and key lyric: "I can’t recall who said it first to me, perhaps my parents or grandma said a lot when I was growing up. It’s a sentiment that has stuck; our biggest problems now won’t matter in 6 months, and that is a calming ideal. If it’s not okay, it’s not the end yet."

Sapling: Rabbit Hole


This synthy and very catch single is first we've heard from Sapling, a native of Dumfries, Scotland, now based in Glasgow. "Having been influenced by early folk and protest music growing up, she now turns to her own expression of emotion and protest mixed with the inspiration of dance, pop and soul," per her Bandcamp page. 

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