City and Colour: Hard, Hard Time
On his sixth City of Colour studio album, Dallas Green deals with bereavement and the struggle to get through it. The loss of his best friend, and then of a cousin, was followed by the pandemic, leaving him alone with the pain. "Composing songs to process his grief, Green created his most powerful album yet," writes Americana Highways, adding that our pick for the New Music bin has "the album’s catchiest, most upbeat groove, with a bad-ass breakdown and a psychedelic guitar solo." The message of the lyric is to make the most of life while we live.
Bruce Cockburn: On a Roll
boygenius: Not Strong Enough
Phoebe Bridgers, Lucy Dacus and Julien Baker first put their talents together in 2018, dashing off an EP. Since then they've each seen success with separate projects, but now they're back with their first full-length as a trio. AllMusic writes: "What's remarkable about The Record is how these three idiosyncratic songwriters consciously decide to subsume their quirks within a group voice. Individual traits haven't been erased so much as they've been sanded so they can fit neatly together," with a result that "feels heftier and hookier" than their individual works.
Vanishing Shores: Up All Night
Since releasing the LP Maps in 2021, Cleveland's Kevin Bianchi and his band has brought out a live album, Dead Language, and several singles. This song appeared on the live record, but is given a bit of a peppier treatment on this new studio single. It seems a good guess that another album is on its way.
The Beths: Watching the Credits
The New Zealand quartet recorded this track during the sessions for 2022's Expert In A Dying Field, but it's only now been released as a single. We're told the song was "born out of songwriter Elizabeth Stokes’ habit of learning everything about movies without actually watching them."
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