Shemekia Copeland: Walk Until I Ride
Her powerful voice commands attention as this blues/r&b singer addresses social issues and matters of the heart on her 10th album, Uncivil War. The album was produced in Nashville with a top-flight cast of musicians and guest stars. This track is a civil rights anthem that has drawn comparisons to the Staples Singers. We have also featured the title single on The Detour, and you'll hear that and other tracks in our mix.
Caamp: Officer of Love
A year after making a mark with their debut album By and By, this indie-folk trio from Ohio is back with this languid and oddly catchy ditty. "She is an officer of love and I'll obey her every word" goes the refrain; don't ask us what the rest of the lyrics are supposed to be about. “We recorded this song on the road in the summer of 2019," the band says. "It’s a tune that’s close to our hearts and one of our favorites to play live. We hope it brings a little joy to your life. Let’s all choose love.”
Blitzen Trapper: Don't Let Me Run
In a similar laid-back groove - at with lyrics at least as obscure - lies this track from Eric Earley and his band. On their new, tenth album, Holy Smokes Future Jokes, Earley explores concepts of death and rebirth and “the idea that humanity is not the center of the universe, or even the center of our own universe.” As American Songwriter puts it, "the head-scratching concepts go down easy for music that feels like a comforting warm breeze on a cool spring day.”
Bad Religion: What Are We Standing For
This Los Angeles band has been blasting angry punk rock for some 40 years. Why stop now? The group says the new single is an expression of solidarity with athletes and others who have “taken a knee to protest police brutality and racism” instead of standing for the U.S. national anthem. "A counterfeit political currency / Shouldn't stand there as a patriotic call." Consequence of Sound writes that the track is an outtake from Bad Religion’s 2019 album The Age of Unreason, and would have fit nicely on that record. It’s a rollicking uptempo rocker with catchy chords and some sick pick slides — a Bad Religion staple."
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